ETD Ecosomatic Workshop
“MOVING WITH TREES: Encounters, Bodies and Memories”
Organizer : Dr Shuntaro Yoshida
Collaborators : Sarah Vella, Julienne Schembri
ETD Ecosomatic Workshop
“MOVING WITH TREES: Encounters, Bodies and Memories”
Organizer : Dr Shuntaro Yoshida
Collaborators : Sarah Vella, Julienne Schembri
(Photo Lomax Creed)
Date: Friday, 18 September 2026
Venue: San Filippu Garden, Floriana
Session 1: 16:00–17:30
Session 2: 18:00–19:30
Participation: Free of charge
Registration: Required
Capacity: 15 participants per session
How might we encounter trees and plants not merely as part of the landscape, but as living partners?
Through sensory observation, guided movement, witnessing, attunement, and mirroring, participants will explore their relationships with trees, plants, and the surrounding environment. Together, we will develop and share short movement scores inspired by these encounters.
No previous dance experience is required.
*The same workshop will be offered twice.
Photographer : Lomax Creed
With thanks to MCAST for hosting the ETD project, and to Ambjent Malta for facilitating our use of the garden.
We are also grateful to the UM Dance Department for providing the rehearsal space.
(Photo Shuntaro Yoshida and Sarah Vella)
On Day 1, the team discussed the conceptual framework of the workshop, focusing on how trees might be encountered as living collaborators. We considered how embodied attention, personal memories of plants, witnessing, attunement, and mirroring could become practices of care.
The discussion was followed by the development and testing of preliminary movement scores in relation to carob trees. Through exploration, witnessing, and collective exchange, we investigated qualities such as rootedness, branching, stillness, resilience, adaptation, and the slow temporality of plant life. We also considered how carob trees are shaped by environmental conditions and human interventions.
On Day 2, the team led to a key methodological question: should participants imitate the visible form of a tree, or attend to the processes through which its form has developed? The team found that copying branches as fixed poses could easily reduce the tree to an image. A more relational approach would invite attention to principles such as gravity, duration, resistance, asymmetry, tension, release and growth. Participants might first notice how their own bodies expand, contract, curve, fold, rise or sink. They could then observe where a tree reaches, divides, gathers, rests or resists, and how wind, weather and time have shaped it. The task is to allow an encounter with the tree to reorganise sensation and movement.
Sarah's score:
Direction and flow
- growing upwards and the idea of the screw and the twist reaching upwards
Julienne score:
Reflections
-I can grow, but I need your support to do so
-What becomes possible through the foundations set by our predecessors
On Day 3, the discussion sharpened the team’s understanding of ecosomatics as an in-between practice. Environmental awareness does not arise through information alone; it can develop through changing attention, bodily response and a renewed intimacy with place.
(Photo Shuntaro Yoshida)
(Photo Lomax Creed)
(Photo Lomax Creed)
(Photo Lomax Creed)
(Photo Lomax Creed)
(Photo Lomax Creed)
(Photo Lomax Creed)
Walkabout and Connecting with a Living Partner
Context Silent Walk
Score: Sensing the Environment and Marking our inner response to it
Find a living Partner in the form of a TREE
What lures you in? Why?
Observe it: Close - Far
Embody the shape; find 4 ways to embody the shape of this tree
Move through these shapes, as though moving through the seasons.
Exchange
If this tree would tell you something, what would it be? A story, a secret, a song?
What might you share with this tree? Thoughts - questions - feelings - movement - memory? Write it down on the paper, or move with the tree.
In pairs; Exchange and reflect on your experience with your partner. This could be a piece of writing; a word, a phrase, a reflection, a question or your movement.
At the end Hang the Paper in the Gazebo